Arts & Culture

Queer Zinefest: A 3-Dimensional Experience

Not just zines, but about people.
Words by
Featured image credit: Farzanah Hussein // IG: @fzanahhussein

Founded by five individuals in the early months of 2018, Queer Zinefest (QZF) is a platform in Singapore for queer creators to gather and celebrate their work while providing an opportunity for both the LGBTQA+ and zine community to come closer together. With its first edition last year, they successfully crowdfunded the operating cost to make QZF happen on a Saturday at Camp Kilo Charcoal Club. Not just a traditional zinefest, it was complete with panels discussing queer issues, workshops and a zine library for anybody to browse through. It was a 3-dimensional experience that focused on the creations, the creators as well as the experience of just being present in that space.

Speaking to Gabbi who is a founding member of QZF, the choice of zines was straightforward.

"I've always made zines although I did not get into the zines community until 2016/2017. Zines were and are helpful in a lot of respects since they are self-published. There is a lot of truth in them and no censorship. But the tendency of making zines is that you would make a few copies, and they would mainly stay within your own friend group. Seldom would those zines travel outside of that social circle."

QZF is to pull together a greater pool of resources for other people to access queer zines, since queer content is not as accessible here in Singapore.
Image Credits: (Muhammad Afiq Julius) IG: @juliusfatball

Identifying as queer herself, using she/they/he pronouns, she is passionate about queerness and creating a space where these conversations can take place openly without compromising safety. Here in Singapore, there are increasingly more literature and conversations taking place about women's rights and rape culture, but we have yet to legalise gay marriage despite being a First World country. Even talking about queerness is not that accepted yet, and Section 377A still not repealed despite multiple attempts by the community to do so.

She shared, "We are pretty behind in terms of conception of queerness here. The society we live in is still not comfortable talking about certain things, with one of those being genders that do not conform to the binary. It did not explicitly occur to me how behind we were until I got to London. In London, there were regular events and spaces exclusively catered to the community. You do not necessarily find these here in Singapore, at least not permanently."

With most of the queer spaces in Singapore leaning towards the adult crowd, such as night clubs and bars, QZF is also to fill in the gap for family-friendly events catering to the community and for the non-partying crowd. Although she acknowledges that perspectives are starting to open up and change is happening, the process is slow.

When our daily vocabulary of insults still include the word 'gay' and jokes that are discriminatory and transphobic, how quick can change take place?

Image Credits: (Farzanah Hussein) IG: @fzanahhussein
Let's discuss queerness to really understand what it is about, and not to judge or discriminate.

"It is important to have QZF as a dedicated space - queer the space, create a space and provide a platform for their voices. This is to privilege their voice in the space for the marginalised community here, where people can come in and hear these stories as well."

And as a medium, zines reflect the same sort of ethos - uncensored and honest. "Also, people like zines. We enjoy picking up the tangible and reading, being spurred on by our own curiosity and discovering something new," Gabbi said. It seems like there is a real value in getting zines accessible, as a form of art as well as communication. For the audience, they may not want to talk or listen to what someone else has to say about something unfamiliar to them, but they may choose to read it at their own time and privacy. For the creators, it is about safety.

To share through zines, the connection made or relationship formed does not have to be face-to-face. It becomes safe to put your thoughts out there anonymously, or at least away from possible danger. It is a freedom of expression and an act of putting your voice out there, without risking too much of your own personal safety and welfare.
Image Credits: (Farzanah Hussein) IG: @fzanahhussein

Besides taking that step in providing a platform for queer creatives to showcase their work and network, QZF is very much about the craft of making zines as well. Sure, the general population is still appreciative of the handmade and the personal elements in works. But what else is there?

A part of going back to zines is nostalgia. It brings us back to a time when we do these things on the regular. There is intimacy in engaging with a zine, like you go through the pages and this is the zinester's handwriting, thoughts and they all took the time to print, bind and circulate.

One of the other QZF organisers, Joy mentioned To Gabbi that when you create a zine, there is a possibility of a relationship and when you read, you engage with the relationship. And that was evident at the fair itself, with a mixed turn out of a much younger queer crowd to families attending with their children. People felt that freedom to just be themselves - going around to interact with others if they wanted to or found their own space to decompress.

Gabbi recalled: "There was a young boy who just went 'wow' at the things he saw. He was talking to his brothers and going around the booths being very encouraging about the work. He said it was so great to be here. Besides that, someone came with their pet bird. It was really nice overall."

Image Credits: Farzanah Hussein // IG: @fzanahhussein

Now that it has been about a year since the first edition of QZF, the queer community still finds themselves seeking out more explicitly queer events which is severely lacking. There are club nights and the occasional theatre performances, but beyond those options, there are few places or events that you can really engage with. "Performances are something you watch and then you go home, they aren't necessarily something you can be a part of. Also, they are not always affordable. They can be pricey entertainment," explained Gabbi.

"I'd like to see more accessible queer spaces - friendly bathrooms and how to be thoroughly inclusive. Disability rights are fairly new, and it will take a while to properly consider what they need and rewrite the narrative on this globally as well as in Singapore. It is quite disappointing how many events don't give a shit about how accessible their space or event is, to people with autism for example. Some elements are too in your face and overwhelming for them, and that just excludes people."

With our conversation shifting to inclusivity, we discussed why representation is important for the community and why visibility is a priority, especially in the media. In Singapore, where we might be conservative, this is no longer an excuse to not engage in conversation about queer rights when the consequences are so severe. Being relatively safe, perhaps we should make that effort to talk about these things or even engage in simple courtesies like asking another person for their preferred pronouns. We might be 'comfortable' here but it is no longer good enough.

According to Reuters Health, 1 in 4 pre-teen deaths may be LGBTQA+ related. This is a scary number when you think about it and it is no longer a surprise that violence against the community is so common, with targeted attacks making the news in recent years.

"It is also about mental health as well as the sense of self. This is so important, and is influenced by whether you see yourself represented and validated within the community - personally and on a wider scale. There are more community spaces available online but we may not know where to go outside of that. What we are trying to do with QZF is to create a way people can feel tangible part of the community. When you think about it, when you identify as queer, your relationship with your family might not always be great and family doesn't always feel like family. Then we have to look for it elsewhere."

*interview has been edited for clarity

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